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Live
Venue address
The Saleroom
York Auction Centre, Murton
York, North Yorkshire
YO19 5GF
United Kingdom
Fine & Affordable Art
Auction dates
06 Sep 2024 11:00 BST
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Auction currency
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GBP |
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Buyer's premium
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25 % |
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Online commission
|
4.17 % |
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Accepted cards
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There are 227 lots within this auction
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Stanley Roy Badmin RWS (British 1906-1989): 'Lime Trees at the Castle Gate - Arundel', watercolour signed, titled on Abbott & Holder gallery label verso 28cm x 20cm
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After Stanley Roy Badmin (British 1906-1989): York, colour illustration print from the cover of the Shell Guide to the Counties pub. c.1956, 18cm x 28cm
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John Groves (British 19th Century): 'At York', watercolour signed titled and dated 189*, 27cm x 18cm
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W Ainsley (York early 20th century): St Leonard's Hospital 'York', watercolour signed titled and dated 1909, 25cm x 35cm Notes: W Ainsley was a pupil of William James Boddy (1831-1911)
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6504
E Brown (British 19th/20th century) after George Fall (British 1848-1925): River Ouse with View of York and Lendal Bridge, late 19th century lithograph signed in the plate 45cm x 74cm
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William Chapman (British 1918-1979): Approaching York Minster, watercolour signed and dated 1879, 24cm x 40cm
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Edward Dayes (British 1763-1804): 'Dover House - Whitehall', watercolour signed with initials and dated 1780, 8cm x 13cm
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Isaac Shaw (British Mid-19th century): Officers at Tynemouth Priory, watercolour signed and dated 1848, 22cm x 32cm
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Cyril Hardy AKA Noel Harry Leaver (British 1889-1951): Litchfield Cathedral, watercolour signed; Albert Henry Findley (British 1880-1975): Norwich Cathedral, watercolour signed, in matching frames 38cm x 27cm (2)
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John Charles Moody (British 1884-1962): Rain on the Moors, watercolour signed 28cm x 38cm; Walter Henry Pigott (British 1810-1901): A Shepherd Watching his Flock, watercolour signed and '81, 23cm x 34cm (2)
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Cuthbert Crossley (British 1883-?): Horse Taking a Drink Outside the Inn, watercolour heightened with white signed with monogram 32cm x 43cm; David R Anderson (British 1884-1976): An Old Tree, watercolour signed 24cm x 34cm (2)
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John A Trench (British fl.1882-1923): Highland Landscape with Cattle and A Calm Stream, two watercolours signed and dated 1909 and 1908, max 24cm x 34cm (2)
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6512
William Fleming Vallance RSA (Scottish 1827-1904): 'Harris Centre Lode' and 'Harris North Lode Near Roval' Industrial Landscapes, two watercolours unsigned, titled dated 1874 and attributed verso max 26cm x 37cm (2)
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James Douglas (Scottish 1858-1911): Village by the Riverside, watercolour signed 28cm x 42cm
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Sir Ernest Albert Waterlow (British 1850-1919): Rowing Boat with Fishermen Heading Out, watercolour signed and dated '96, 20cm x 45cm
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Richard Henry Nibbs (British 1816-1893): Lynmouth Harbour - Devon, watercolour signed 27cm x 76cm
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Thomas Sewell Robins (British 1810-1880): On the Rhine with Castle in Background, watercolour signed and dated 1859, 47cm x 65cm
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Arthur Tucker (British 1864-1929): Boating on the Lake, watercolour signed 17cm x 25cm
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Frederick James Aldridge (British 1850-1933): Shipping on Calm Waters, pair shipping watercolours signed 17cm x 12cm (2)
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Arthur Douglas Peppercorn (British 1847-1924): 'A Cloudy Day', watercolour faintly signed, titled on mount 22cm x 32cm
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Harold Sutton Palmer (British 1854-1933): 'Beeding - Sussex', watercolour signed, titled on mount 34cm x 52cm; Thomas William Morley (British 1859-1925): 'Chipstead - Kent', watercolour signed, inscribed verso 34cm x 24cm (2)
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Robert E Groves (British ?-1944): Pink Blossom in the Garden, watercolour signed and dated 1926, 36cm x 25cm
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Lilian Russell Bell (British 1864-1947): Feeding Chickens Outside a Suffolk Cottage, watercolour signed 26cm x 24cm
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John Abernethy Lynas-Gray (British 1869-1940): Couple Outside the Cottage, watercolour signed and dated 1915, 36cm x 26cm (unframed)
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Henrietta Lister (British 1895-1959): Snowy Landscape, watercolour signed and dated 1947, 28cm x 37cm; together with another similar unsigned watercolour 24cm x 30cm (2)
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David Cox (British 1783-1859): Walker in a Landscape, watercolour unsigned, with Fry gallery label verso 9cm x 13cm Provenance: From and album of Cox letters and drawings belonging to the Henriques family
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Albert Goodwin (British 1845-1932): Clovelly - Cornwall, watercolour signed with monogram 13cm x 19cm Notes: with Fine Art Society receipt.
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English Impressionist School (Early 20th century): Gypsy Encampment by River and Church, watercolour indistinctly signed 24cm x 29cm
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6529
Frederick (Fred) Lawson (British 1888-1968): Cottage at Castle Bolton watercolour signed and dated 1931, labelled verso 28cm x 37cm
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Frederick (Fred) Lawson (British 1888-1968): Horse and Cart Outside Train Station, watercolour signed and dated 1914, 27cm x 36cm
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Frederick (Fred) Lawson (British 1888-1968): Walking Beside the Canal, watercolour signed and dated '10, 25cm x 37cm
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Walter Cecil Horsnell (British 1911-1997): Church of St Michael and All Angels - Hubberholme, watercolour signed 39cm x 49cm
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Walter Cecil Horsnell (British 1911-1997): Richmond Castle and Bridge, watercolour unsigned 25cm x 35cm
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Walter Cecil Horsnell (British 1911-1997): Sheep by the Stone Bridge, watercolour signed 35cm x 50cm
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Frank Wood (Northern British 1904-1976): Riverside Cottages, watercolour signed and dated '35, 41cm x 26cm
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Harold Hitchcock (British 1914-2009): Ethereal Woodland Landscape with Figure, watercolour signed with monogram and dated 1967, 50cm x 62cm
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English School (19th Century): Cavalry Soldiers Marching at Dusk, watercolour unsigned 51cm x 75cm
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6538
Harold Wharfe (British 20th Century): 'Hubberholme Church' Yorkshire Dales and Celebration in the Pavillion, two watercolours signed inscribed and dated '80 & '97, max 43cm x 69cm (2)
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6539
Harold Wharfe (British 20th century): 'Newby Hall - Ripon' 'Fountains Abbey' and 'All Saints Church', three watercolours signed and inscribed max 46cm x 33cm (3)
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Douglas Frederick Pittuck (British 1911-1993): Barnard Castle, watercolour faintly signed, titled verso 21cm x 31cm
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Lewis Creighton (British 1918-1996): Sheep Above the Moors, watercolour signed 29cm x 39cm
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H Herdman (British 19th/20th Century): 'Furness Abbey', watercolour signed and titled together with an Archibald Thorburn print signed in pencil max 21cm x 31cm (2)
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Geoffrey Jenkinson (British 1925-2005): Winding Roads Through a Moors Village, watercolour and pencil signed 28cm x 38cm
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Victor Noble Rainbird (British 1887-1936): Preparing the Boats, watercolour signed 25cm x 18cm
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Victor Noble Rainbird (British 1887-1936): 'A Byway - Rouen', watercolour signed and titled 37cm x 26cm
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Thomas Mortimer (British fl.1880-1920): Harbour at Moonlight, watercolour signed 16cm x 33cm; C A Cook (British 19th/20th century): 'Chartres' France, watercolour signed and inscribed 35cm x 26cm (2)
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Paul Lecomte (French 1842-1920): View of a Chateaux Garden, watercolour signed 38cm x 26cm
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Gabriel Carelli (Italian 1821-1900): The Amalfi Coast, watercolour signed 19cm x 31cm
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Paul Sandby (British 1725-1809): Horse-Mounted Figures in an Italianate Capriccio Landscape, watercolour unsigned, inscribed on the mount 12cm x 17cmProvenance: from the Reverend William Gilpin (1742-1804) collection
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Louis Bulot (French 1894-1985): Horse and Cart and Figures on the French Coast, oil on board signed and dated 1947, 18cm x 26cm
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Clive Richard Browne (British 1901-1991): 'The Humber near South Ferriby', oil on board signed, titled verso 23cm x 33cm; together with another similar landscape unsigned 19cm x 23cm (2)
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Clive Richard Browne (British 1901-1991): 'Old Time Harvest' and Church Landscape, pair oils on canvas signed 39cm x 49cm (2)
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Circle of Sir Walter Thomas Monnington (British 1902-1976): View Across the Hills, oil on board unsigned, inscribed verso 24cm x 34cm
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John Smith Atherton (British 1877-1943): Spring Pastures, oil on board signed, indistinctly titled verso 28cm x 39cm
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J P Turnbull (British 20th Century): Castle Ruins on Mountain Top, oil on board signed 32cm x 40cm
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Henry Simpson (British 1853-1921): 'Asolo' Northern Italy, oil on board signed, titled and dated 1904 verso 21cm x 14cm
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Elizabeth Campbell Fisher Clay (American/British 1871-1959): Summer in a Country Village, oil on canvas laid onto panel signed 17cm x 12cm
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Cyrus Cuneo (American/British 1879-1916): The Bridge Collapse, oil on board signed, inscribed verso 32cm x 22cm
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William Burns (Northern British 1923-2010): 'A Paris Restaurant', oil on board unsigned, titled verso 19cm x 24cm Provenance: Direct from the family of the artist. Notes: Born in Sheffield in 1923, William Burns RIBA FSAI FRSA studied at the Sheffield College of Art before the outbreak of the Second World War, during which he helped illustrate the official War Diaries for the North Africa Campaign, and was elected a member of the Armed Forces Art Society. On his return, he studied architecture at Sheffield University and later ran his own successful practice, being a member of the Royal Institute of British Architects. However, painting had always been his self-confessed 'first love', and in the 1970s he gave up architecture to become a full-time artist, having his first one-man exhibition in 1979.
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William Burns (Northern British 1923-2010): 'Snow at Roche Abbey - South Yorkshire', oil on board signed, titled verso 14cm x 19cm Provenance: Direct from the family of the artist.Notes: Born in Sheffield in 1923, William Burns RIBA FSAI FRSA studied at the Sheffield College of Art before the outbreak of the Second World War, during which he helped illustrate the official War Diaries for the North Africa Campaign, and was elected a member of the Armed Forces Art Society. On his return, he studied architecture at Sheffield University and later ran his own successful practice, being a member of the Royal Institute of British Architects. However, painting had always been his self-confessed 'first love', and in the 1970s he gave up architecture to become a full-time artist, having his first one-man exhibition in 1979.
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